Alex Ford
Composer for the Concert Hall
Quintocracy were awarded the 2021 Schenectady Community Arts Grant for the project: presenting the world premiere of ‘Berus in the Woods’ in collaboration with the Electric City Puppets who will present shadow and Jim Henson style puppetry alongside the performance.
Focusing on the explorations and transformations of music from different cultures.
Focusing on the explorations and transformations of music from different cultures.
Featuring music by Alex Ford, Claude Debussy, Franz Doppler and more.
The Mother’s Day program will feature music written by or about Females.
A recital and lecture series, including a performance on the history of the flute.
Featuring music by Alex Ford, Claude Debussy, Franz Doppler and more. With performances from Rebecca Jeffreys, Marjorie Bollinger Hogan and Molly Lozeau.
Together is a two movement piece for sOlo Flute, inspired by the poem ‘Together’ by Rupi Kaur. The piece tries to capture those feelings of isolation that we all feel, knowing that each person who listens to this understands those feelings too. Sometimes knowing just knowing other people have those feelings too is enough. The first full of conflict and anxiety and the second uncertain but full of surface dynamism and energy.
Like Debussy's Masterpiece 'Syrinx', 'Pan' is a solo flute piece based on the Greek Myth of Pan and Syrinx.
"Many of the versions of this myth paint Pan as the image of carnal desire pitted against the purity and chastity of Syrinx - a theme commonly depicted in Greek Myth. However, Upon further study of Ovid's metamorphoses, and the various possible translations, I felt compelled to tell the story from Pan's perspective - not as lustful deity but as an ill-fated romantic, tragically unable to communicate with the woman he loves. The piece attempts to capture the conflicting emotions of love, pain, anger, determination, sadness, and, until it's finally vanquished, hope." - Alex Ford
This piece was named the Winner of the FNMC Competition 2019 - Solo flute category. IT was also named as a finalist in the NFA Newly Published Music competition 2019. This piece is published by ALRY Publishing ltd. and is available for purchase here.
On Arcadia’s cold mountain slopes among the wood nymphs,
one was the most celebrated: Syrinx.
Pan, whose head was crowned with a wreath of sharp pine shoots saw her coming from Mount Lycaeus and spoke to her.
The nymph, unable to fully understand Pan’s words and frightened by his visage, ran. Pan, enamoured and earnest, chased Syrinx through all the forest – catching sight of her for moments between the trees. She came to the calm waters of Ladon and could run no further.
As Pan rushed to finally embrace her, Syrinx prayed for the sisters of the stream to change her. Pan, threw himself into an embrace, but opened his eyes to see only water reeds.
There he sighed.
The wind, moving through the reeds, gave a clear plaintive sound. Pan fashioned the reeds into different lengths and bound them together with wax.
In this way, tragically, he had a way of communicating with Syrinx at last.
- from Ovid’s “Metamorphoses”
This piece was commissioned by Rebecca Jeffreys for a mother’s day concert in Vero Beach, FL in 2019. The piece itself is intended to reflect the nature of a relationship between parent and child - with the piano representing the parent, and the flute representing the child. At the start of the piece the piano leads and the flute’s canonic treatment is indicative of a child copying their parents. As the piece develops the flute begins to establish a character of its own and eventually the piano has to let the flute play its own theme. Eventually the opening material returns with the flute now leading the piano part. This could be interpreted in many different ways, either that the child is now looking after the parent in a reversal of roles, or perhaps that the parent is now learning from the child. The piece is dedicated to the composers own mother and was presented to her as a gift for mothers day. The recording below is performed by Rebecca Jeffreys (Flute) and Francis Kayali (Piano).
The term toccata means light touch - which describes this piece well in every aspect. It’s light hearted, lively as well as being quite light texturally. The piece also has a theatrical element to it, which pits the two performers against one another. Imagine the two players trying always to out do the other. This, almost pantomime element, makes the piece a lot of fun to watch as well as listen to. This piece is published by ALRY Publishing ltd. and is available for purchase here.
Berus in the Woods is a narrative piece for wind quintet. The conceptual drive for the piece is to give children or new listeners the opportunity to hear instruments in isolation and really get to grips with identifying an instrument purely by its sound. While it's something all musicians learn, often it's by blunt force rather than real method. Britten's 'Guide to the Orchestra' and Prokofiev's 'Peter and the Wolf' go someway toward the same goal but take different routes to 'Berus in the Woods'. Britten's 'Guide to the Orchestra' focuses on the sounds of each family rather than it's constituent parts. 'Peter and the Wolf' goes a step further in placing it in a narrative which makes it more accessible for children. Because the piece uses the whole orchestra to reinforce the individual themes, the listener doesn't have the opportunity to listen to an instrument on its own for long. In 'Berus in the Woods', each instrument represents a single character in the story and the piece is constructed, through a narrative, with their interactions. Below is a narrated recording of the piece.
Artwork by Beth Boyes - click for more her work.
Paraíba is the east-most region of Brazil. It has a cultural heritage of writers and painters including Pedro Américo. 'I was inspired to write this piece by a conversation with a wonderfully talented Brazilian Artist. He spoke of Brazil as Beautiful and raw - the cities a reflection of the land in which they're set. He told me about the people he meets, and that he finds a deep sadness and anger, but that despite this, as a people, they are determined to enjoy life; The same people who are angry at a system which is failing them will dance through the streets at Carnival. I was so grateful for this candid account of 'the real Brazil' and hope this is what people will hear when they listen to the piece.' - Alex Ford
A Short, understated Fanfare for brass ensemble and a timpani. Written for the University of West London. Labelled as a 'fanfare by a common man' this is a self-reflective piece. "A reminder to be proud of the things I achieve, big and small". Published by SMP Press, it's available for download here.
Written on the 15th anniversary of 9/11 this piece is inspired by the falling man - an image of a man falling from one of the towers. It's a distressing image to see but within it is a bizaare tranquillity and acceptance of his fate. This piece is written in memory of those who perished in the events on that day. This is a recording of Alex performing the piece. Published by SMP Press, it's available for download here.
Email: alex.michael.ford@gmail.com
Call: +447712131461
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Currently accepting commissions for 2019 onwards.
If it's film or TV music you're looking for why not check out James Wedlock here.